In our context, when conducting a critical discourse analysis of American films, we will adhere to the approach of N. Fairclough (Critical Discourse Analysis, 1995), and we agree with the opinion of Jorgenson and Phillips that this approach is one of the “most developed theories and research methods in communication, culture and society”. Each discourse and each text is associated with others synchronously and diachronously and should be considered in their connection with other types of discourse.